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== Biography ==
== Biography ==
Henry Pleasants (May 12, 1910 – January 4, 2000) was an American music critic and intelligence officer. Henry was born May 12, 1910. Following the end of the war, from 1945 to 1955, Pleasants contributed articles on European musical events to The New York Times. His most famous and controversial work was his 1955 publication The Agony of Modern Music, a polemical attack on the direction taken by much of twentieth-century music and an argument in favor of jazz as the "true" master music of the time. What we know as modern music is the noise made by deluded speculators picking through its slag pile." He further developed this critique of contemporary music in Death of a Music?: The Decline of the European Tradition and the Rise of Jazz (1961) and Serious Music and All That Jazz (1969). Pleasants studied voice, piano and composition at the Curtis Institute of Music, from which he received an honorary doctorate in 1977. On January 4, 2000, Pleasants died aged 89 in a London hospital after suffering a ruptured aorta. The vein which for 300 years offered a seemingly inexhaustible yield of beautiful music has run out. He was an American music critic and intelligence officer. In 1930, at age 19, he became a music critic for the Philadelphia Evening Bulletin and was the paper's music editor from 1934 to 1942, when he enlisted in the U.S. In 1948–49, he re-entered the military as an army liaison officer with the Austrian government. He left the army to enter the Foreign Service in 1950, serving as an intelligence officer in Munich. From 1950 to 1956, he was the CIA station chief in Bern, and subsequently from 1956 until his retirement from the CIA in 1964, CIA station chief in Bonn. He was involved in espionage during the Cold War, living with Reinhard Gehlen, a former Nazi general and a top intelligence official for West Germany, to evaluate his "suitability. The Gehlen Organization, which the former general led, became the forerunner of the postwar West German Federal Intelligence Service.
Henry was born May 12, 1910.


In 1930, at age 19, he became a music critic for the Philadelphia Evening Bulletin and was the paper's music editor from 1934 to 1942, when he enlisted in the U.S.
Henry Pleasants (May 12, 1910 – January 4, 2000) was an American music critic and intelligence officer. Following the end of the war, from 1945 to 1955, Pleasants contributed articles on European musical events to The New York Times. In 1948–49, he re-entered the military as an army liaison officer with the Austrian government.
He left the army to enter the Foreign Service in 1950, serving as an intelligence officer in Munich. His most famous and controversial work was his 1955 publication The Agony of Modern Music, a polemical attack on the direction taken by much of twentieth-century music and an argument in favor of jazz as the "true" master music of the time. What we know as modern music is the noise made by deluded speculators picking through its slag pile." He further developed this critique of contemporary music in Death of a Music?: The Decline of the European Tradition and the Rise of Jazz (1961) and Serious Music and All That Jazz (1969).
On January 4, 2000, Pleasants died aged 89 in a London hospital after suffering a ruptured aorta. The vein which for 300 years offered a seemingly inexhaustible yield of beautiful music has run out. He was an American music critic and intelligence officer.
He was involved in espionage during the Cold War, living with Reinhard Gehlen, a former Nazi general and a top intelligence official for West Germany, to evaluate his "suitability. The Gehlen Organization, which the former general led, became the forerunner of the postwar West German Federal Intelligence Service.
From 1950 to 1956, he was the CIA station chief in Bern, and subsequently from 1956 until his retirement from the CIA in 1964, CIA station chief in Bonn. Pleasants studied voice, piano and composition at the Curtis Institute of Music, from which he received an honorary doctorate in 1977.


== Gallery ==
== Gallery ==

Revision as of 14:04, 2 September 2026

Henry Pleasants, III
Personal details
Born12 May 1910
Wayne, Pennsylvania
Died4 January 2000
London, England
NativityUnited States
ReligionProtestant
Known forSpy, Music Critic
Military service
Allegiance United States
Branch United States Army
Arm / serviceAir Corps
ASN0914107
RankFirst Lieutenant
Camp RitchieClass 9 (21 June – 18 August 1943)
Section5E
Research notes on this page are compiled from the source file and later edits. They may be unverified, incomplete, or incorrect, and should not be treated as established fact. Please correct the article or add sources on the talk page. For class-roster terms, see About the data.
Sources & confidence: Treat Research notes as leads, not settled fact. Prefer NARA, the class roster, newspapers, Find a Grave, or published histories for contested claims. Mark unsourced claims with {{Needs source}}, or explain disagreements on talk. Baseline import notes: About the data.


Henry III Pleasants (12 May 1910 – 2000) was a Ritchie Boy (from United States; Protestant) who trained at Camp Ritchie in class 9.

Biography

Henry was born May 12, 1910.

In 1930, at age 19, he became a music critic for the Philadelphia Evening Bulletin and was the paper's music editor from 1934 to 1942, when he enlisted in the U.S.

Henry Pleasants (May 12, 1910 – January 4, 2000) was an American music critic and intelligence officer. Following the end of the war, from 1945 to 1955, Pleasants contributed articles on European musical events to The New York Times. In 1948–49, he re-entered the military as an army liaison officer with the Austrian government.

He left the army to enter the Foreign Service in 1950, serving as an intelligence officer in Munich. His most famous and controversial work was his 1955 publication The Agony of Modern Music, a polemical attack on the direction taken by much of twentieth-century music and an argument in favor of jazz as the "true" master music of the time. What we know as modern music is the noise made by deluded speculators picking through its slag pile." He further developed this critique of contemporary music in Death of a Music?: The Decline of the European Tradition and the Rise of Jazz (1961) and Serious Music and All That Jazz (1969).

On January 4, 2000, Pleasants died aged 89 in a London hospital after suffering a ruptured aorta. The vein which for 300 years offered a seemingly inexhaustible yield of beautiful music has run out. He was an American music critic and intelligence officer.

He was involved in espionage during the Cold War, living with Reinhard Gehlen, a former Nazi general and a top intelligence official for West Germany, to evaluate his "suitability. The Gehlen Organization, which the former general led, became the forerunner of the postwar West German Federal Intelligence Service.

From 1950 to 1956, he was the CIA station chief in Bern, and subsequently from 1956 until his retirement from the CIA in 1964, CIA station chief in Bonn. Pleasants studied voice, piano and composition at the Curtis Institute of Music, from which he received an honorary doctorate in 1977.

Gallery

Technical record

Field Imported value
Approx Age at Death 90
Class_ASN 914107
Class_Name PLEASANTS, Henry
match_method asn_exact_name_exact
row_source both

Sources

  • Henry Pleasants (music critic) — Wikipedia
  • Camp Ritchie Museum, Inc. (The Ritchie History Museum), Classes 1–31 roster data
  • Dan Gross research spreadsheets, including original Excel timeline/roster work, combined with other research and records
  • NARA World War II Army enlistment records (where a NARA ASN is present)
  • 1940 U.S. Census (where a census match is present)
  • Ritchie Boys of WWII Facebook page, post dated 2022-12-29 (1 post)
  • Wikipedia